The Prince of Egypt
The Prince of Egypt starring Val Kilmer, and Ralph Fiennes follows a twist of identity for an Egyptian prince who later discovers he is of an Hebrew origin.
13 July 1940, Mirfield, Yorkshire, England, UK
14 August 1945, Waco, Texas, USA
3 October 1984, Stuart, Florida, USA
29 April 1958, Santa Ana, California, USA
22 October 1952, Pittsburgh, Pennsylvania, USA
26 March 1985
22 December 1962, Ipswich, Suffolk, England, UK
22 July 1946, San Francisco, California, USA
19 November 1957, Tel Aviv, Israel
1 November 1962, Beason, Illinois, USA
January 23, 2011
It turns much too serious for its own good, though it otherwise is an entirely satisfying animated adventure story.
September 24, 2009
When Moshe encounters the burning bush and confronts a God who calls Himself I Am That I Am...it is almost as if the scene compels the audience to remove their shoes for holy ground is underfoot
March 19, 2008
The blend of animation techniques somehow demonstrates mastery modestly, while the special effects are nothing short of magnificent.
September 22, 2007
Hyperactive and visually busy without being much fun.
July 21, 2005
The handsomely animated Prince of Egypt is an amalgam of Hollywood biblical epic, Broadway supermusical and nice Sunday school lesson.
March 19, 2008
This is sensational cinema: crowds swarming among pyramids in eye-popping 3-D, camerawork that's distinctly Spielbergian in its fluidity.
July 12, 2002
Takes itself too seriously.
June 24, 2006
As epic, emotionally satisfying spectacle, it's way up there with the very best in mainstream animation.
December 27, 2010
Well-told story that's careful not to offend.
December 06, 2005
Much of the animation is stunning and all of the vocal performances are good to great. It's just much of the passion seems to be in not stepping on anyone's beliefs or interpretations, instead of in telling the story in the most compelling way possible.
March 19, 2008
The movie's proudest accomplishment is that it revises our version of Moses toward something more immediate and believable, more humanly knowable.
March 19, 2008
The angular animation and muted colour palette gives the film a look more redolent of classic European cartoons than their homelier American counterparts.
